The persistence of Beethoven’s Ninth
By Rebecca Schmid
The pianist reflects on race and indentity.
By Lara Downes
On Dumbarton Oaks, Stravinsky’s fortuitious commission from American patrons.
By Ben Finane
Joshua Bell, Jeremy Denk and Steven Isserlis go to work.
By Ben Finane
Rufus Wainwright talks about his style, his sound, writing a song, writing an opera, restoring our collective dignity, Judy Garland, Frank Sinatra and William Shakespeare.
By Ben Finane
Lang Lang talks Metallica, music education, Hans Zimmer, Herbie Hancock, global citizenship and being Human.
By Ben Finane
His bicentennial encourages a fuller understanding of the much-maligned Franz Liszt
By Thomas May
A simple tune proves anything but easy.
By Arnold Steinhardt
Retired at Eighty-Five, and Still a Mire of Complexities
By Daniel Felsenfeld
The Sisters Naughton Go It Together.
By Brian Wise
Robert Glasper holds forth on crossing over, showing all your sides, Radiohead, jazz reference points, hip-hop and the ancient art of the loop, and Thelonious Monk.
Read MoreOur editor recommends a dozen dazzling hip-hop albums beyond Hamilton.
Read MorePianist Richard Goode discusses the forests and trees of recording.
By Bradley Bambarger
Van Cliburn and the legacy of classical music in America
By Ben Finane
Conrad Tao on curating and composing
By Brian Wise
Olga Kern on the rich, pianistic legacy of Rachmaninoff, Chopin, Tchaikovsky, the Kern Family and Billy Joel
By Ben Finane
Jason Moran on music, space and time.
By Ben Finane
Maurizio Pollini reveals his pathways in to Bach, Beethoven and Chopin, as well as to more modern composers.
By Ben Finane
By Kyle MacMillan
Read MoreAn Interview with Contemporary Pianist Jean-Phillippe Rio-Py.
Read More